155 Days With Bach and Me

All Bach, All the Time…Everything Johann Composed

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Entries Tagged as 'Pieter-Jan Belder'

Day Thirty Four: Goldberg Variations (CD 2-11)

August 30th, 2011 · No Comments · 1741, Bach at 56, BWV 988, Flemish harpsichord, Glenn Gould, Goldberg Variations, Harpsichord, Period Instruments, Pieter-Jan Belder

If you’re expecting me to get through today’s listening without mentioning Glenn Gould, you’re going to be sorely disappointed. For today’s Brilliant Classics CD (performed by Pieter-Jan Belder on Flemish harpsichord) is none other than the famous Goldberg Variations, which was Glenn Gould’s first album, recorded in 1955 for Columbia Records. But that’s another story. […]

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Day Thirty Three: Italian Concerto/French Overture (CD 2-10)

August 29th, 2011 · 3 Comments · 1720, 1735, Bach at 35, Bach at 50, BWV 831, BWV 903, BWV 971, CD 2-10, French Overture, Glenn Gould, Harpsichord, Italian Concerto, Italian Concerto in F major Allegro, John William Waterhouse, Miranda the Tempest, Pieter-Jan Belder

If it’s possible, the first composition on this CD is even more recognized (and loved) than the Brandenburg Concertos. It’s so Bach, so Baroque. I know. I know. I’m making a big claim. But listen to it and you’ll see what I mean. I refer, of course, to Italian Concerto in F major (BWV 971), […]

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Day Twenty Nine: Six Partitas, Part Two (CD 2-6)

August 25th, 2011 · No Comments · 1726, Bach at 41, BWV 827, BWV 828, BWV 829, CD 2-6, Flemish harpsichord, Harpsichord, Period Instruments, Period Instruments vs. Contemporary Instruments, Pieter-Jan Belder, Six Partitas Part Two

They say one should confront his/her fears so that they can be overcome and life can be lived with joy again. To that end, I’m reading about the harpsichord on Wikipedia, an excerpt from which tells me this: The harpsichord was most probably invented in the late Middle Ages. By the 16th century, harpsichord makers […]

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Day Twenty Eight: Six Partitas, Part One (CD 2-5)

August 24th, 2011 · No Comments · 1726, Bach at 41, BWV 825, BWV 826, BWV 830, CD 2-5, Glenn Gould, Harpsichord, Pieter-Jan Belder, Six Partitas Part One

If I have one complaint regarding the Brilliant Classics Complete Bach edition it’s this: Too much harpsichord! Or, to put it another way, this edition relies too much on period instruments. Would it have killed anyone to use a contemporary piano to perform The Well-Tempered Clavier? Or the Six Partitas? Unless one is a music […]

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Day Twenty Two: Notenbuchlein Fur Anna Magdalena Bach (CD 1-22)

August 18th, 2011 · No Comments · 1722, Anhang, Anti-Calvinism, Anti-melancholy, Bach's Second Wife, BWV 299, BWV 508, BWV 509, BWV 510, BWV 511, BWV 512, BWV 513, BWV 514, BWV 515a, BWV 516, BWV 517, BWV 518, BWV 691, BWV 846, BWV 988, BWV Anhang 113-132, BWV Anhang 114 Menuet, CD 1-22, Evangelical Christian School, Harpsichord, Johannette Zomer, Notenbuchlein Fur Anna Magdalena Bach, Pieter-Jan Belder, Soprano

Now, this is a quirky little collection of 38 pieces of music. The title (“Notenbuchlein Fur Anna Magdalena Bach”) means Notebook for Anna Magdalena Bach, Johann’s second wife. According to its entry on Wikipedia: The title Notebook for Anna Magdalena Bach refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian […]

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Day Twenty One: Violin Sonatas, Part Two (CD 1-21)

August 17th, 2011 · No Comments · 1717, Bach at 32, BWV 1017, BWV 1018, BWV 1019, BWV 1019 1st version, BWV 1019a, CD 1-21, Harpsichord, Luis Otavio Santos, Pieter-Jan Belder, Three-Instrument Rule, Violin Sonatas

An interesting observation: whereas yesterday’s Violin Sonatas (with its accompanying harpsichord) grated on my nerves, today the music seems more mournful than hurtful. This work definitely violates the Three-Instrument Rule (when a harpsichord is involved, it takes two other instruments to balance out that distinctive-sounding keyboard). And, for my tastes, I think the recording mix […]

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Day Twenty: Violin Sonatas (CD 1-20)

August 16th, 2011 · No Comments · 1717, Bach at 32, BWV 1014, BWV 1015, BWV 1016, CD 1-20, Luis Otavio Santos, Pieter-Jan Belder, Raiders of the Lost Ark, Snakes, Three-Instrument Rule, Violin Sonatas

There’s a line in the movie Raiders of the Lost Ark in which Indy (Harrison Ford) outruns a pack of bloodthirsty natives, jumps into a river full of crocodiles, and climbs aboard a water plane that narrowly outruns the poison darts and spears thrown by his pursuers. As the plane takes to the sky, Indy […]

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Day Eight: Concertos For 2 & 3 Harpsichords (CD 1-8)

August 4th, 2011 · No Comments · 1735, BWV 1061, BWV 1062, BWV 1063, BWV 1064, Byrds, CD 1-8, Concertos For 2 and 3 Harpsichords, Menno van Delft, Musica Amphion, Pedal Steel Greats, Pieter-Jan Belder

A couple of decades ago, a buddy of mine — who was into Country Rock (stuff like the Byrds, in their alt-Country Sweetheart of the Rodeo era, and various Country artists) — joked with me about an abhorrent instrument called the pedal steel guitar. I told him I really hated that sound. He said, “Then […]

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Day Two: Brandenburg Concertos 4-6 (CD 1-2)

July 29th, 2011 · No Comments · Bach at 36, Baroque, Brandenburg Concertos 4-6, BWV 1049, BWV 1050, BWV 1051, CD 1-2, Christian Ludwig, French horns, Harpsichord, Margrave of Brandenburg, Musica Amphion, Period Instruments, Pieter-Jan Belder, Recorder, Recorder Home Page, Red Priest

What sounded harsh to my ears with CD 1 (Brandenburg Concertos 1-3) because of the period instruments now sounds exactly right. Perhaps I’ve gotten used to their tone. Or maybe I’m hearing these concertos as if for the first time because I’m used to listening to Sir Neville Marriner’s Academy of St. Martin in the […]

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Day One: Brandenburg Concerts 1-3 (CD 1-1)

July 28th, 2011 · 1 Comment · Bach at 36, Brandenburg Concertos 1-3, BWV 1046, BWV 1047, BWV 1048, CD 1-1, Christian Ludwig, French horns, Margrave of Brandenburg, Musica Amphion, Period Instruments, Pieter-Jan Belder

Bach’s Brandenburg Concertos 1-2-3 are probably among the 3-4 most-recognized classical recordings in the world, and are one of my personal top four pieces of classical music (after Mozart’s “Eine kleine Nachtmusik,” “Symphony No. 40 in G minor,” and “Piano Sonata No. 11 in A major”). This Brilliant Classics version of the Brandenburg Concertos was […]

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