155 Days With Bach and Me

All Bach, All the Time…Everything Johann Composed

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Entries Tagged as 'Period Instruments'

Day Thirty Four: Goldberg Variations (CD 2-11)

August 30th, 2011 · No Comments · 1741, Bach at 56, BWV 988, Flemish harpsichord, Glenn Gould, Goldberg Variations, Harpsichord, Period Instruments, Pieter-Jan Belder

If you’re expecting me to get through today’s listening without mentioning Glenn Gould, you’re going to be sorely disappointed. For today’s Brilliant Classics CD (performed by Pieter-Jan Belder on Flemish harpsichord) is none other than the famous Goldberg Variations, which was Glenn Gould’s first album, recorded in 1955 for Columbia Records. But that’s another story. […]

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Day Thirty: Keyboard Works, Part One (CD 2-7)

August 26th, 2011 · No Comments · BWV 823, BWV 833, BWV 917, BWV 922, BWV 947, BWV 948, BWV 954, BWV 958, BWV 963, BWV 965, CD 2-7, Christiane Wuyts, Harpsichord, Henri Hemsch, Jacques Goermans, Keyboard Works Part One, Period Instruments

Not that this should matter, but it’s something I noticed about today’s performances: They’re by a woman. Unless I’m mistaken, this is the first time I’ve heard a woman play harpsichord on a Classical-music CD. Her name is Christiane Wuyts, a Belgium-born harpsichord known particularly for her performances of Bach’s music, as well as for […]

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Day Twenty Nine: Six Partitas, Part Two (CD 2-6)

August 25th, 2011 · No Comments · 1726, Bach at 41, BWV 827, BWV 828, BWV 829, CD 2-6, Flemish harpsichord, Harpsichord, Period Instruments, Period Instruments vs. Contemporary Instruments, Pieter-Jan Belder, Six Partitas Part Two

They say one should confront his/her fears so that they can be overcome and life can be lived with joy again. To that end, I’m reading about the harpsichord on Wikipedia, an excerpt from which tells me this: The harpsichord was most probably invented in the late Middle Ages. By the 16th century, harpsichord makers […]

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Day Four: Orchestral Suites 3 & 4 (CD 1-4)

July 31st, 2011 · No Comments · Andrew Manze, Bach at 40-54, Baroque, Bouree, BWV 1068, BWV 1069, BWV 146, CD 1-4, Christoph Lehmann, Fugue, La Stravaganza Koln, Les Claypool, Orchestral Suites 3 and 4, Period Instruments, Primus, Progressive Metal, Progressive Rock, Zero Hour

This CD sounds like a movie score to me, something like Erich Wolfgang Korngold would have written to add flair to an Errol Flynn swashbuckler. It is majestic and triumphant and boisterous. I like it. Of the two Orchestral Suites on this CD, I prefer Orchestral Suite No. 3 in D major, although I like […]

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Day Three: Orchestral Suites 1 & 2 (CD 1-3)

July 30th, 2011 · No Comments · Andrew Manze, Bach at 40-54, Baroque, BWV 1066, BWV 1067, CD 1-3, Christoph Lehmann, Fugue, La Stravaganza Koln, Leipzig, Masahiro Arita, Mozart, Musica Amphion, Orchestral Suites 1 and 2, Period Instruments, Transverse Flute

When this CD began to play, my mind couldn’t find the melody in the music. “Are we listening to an orchestra tuning up?” I asked my wife. “I can hear a melody there,” she said. Of course, she’s a musician who plays the French horn. So her ears are probably sharper than mine. Or maybe […]

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Day Two: Brandenburg Concertos 4-6 (CD 1-2)

July 29th, 2011 · No Comments · Bach at 36, Baroque, Brandenburg Concertos 4-6, BWV 1049, BWV 1050, BWV 1051, CD 1-2, Christian Ludwig, French horns, Harpsichord, Margrave of Brandenburg, Musica Amphion, Period Instruments, Pieter-Jan Belder, Recorder, Recorder Home Page, Red Priest

What sounded harsh to my ears with CD 1 (Brandenburg Concertos 1-3) because of the period instruments now sounds exactly right. Perhaps I’ve gotten used to their tone. Or maybe I’m hearing these concertos as if for the first time because I’m used to listening to Sir Neville Marriner’s Academy of St. Martin in the […]

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Day One: Brandenburg Concerts 1-3 (CD 1-1)

July 28th, 2011 · 1 Comment · Bach at 36, Brandenburg Concertos 1-3, BWV 1046, BWV 1047, BWV 1048, CD 1-1, Christian Ludwig, French horns, Margrave of Brandenburg, Musica Amphion, Period Instruments, Pieter-Jan Belder

Bach’s Brandenburg Concertos 1-2-3 are probably among the 3-4 most-recognized classical recordings in the world, and are one of my personal top four pieces of classical music (after Mozart’s “Eine kleine Nachtmusik,” “Symphony No. 40 in G minor,” and “Piano Sonata No. 11 in A major”). This Brilliant Classics version of the Brandenburg Concertos was […]

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