{"id":681,"date":"2011-08-28T17:47:26","date_gmt":"2011-08-28T21:47:26","guid":{"rendered":"http:\/\/www.155dayswithbachandme.com\/?p=681"},"modified":"2011-08-28T17:47:26","modified_gmt":"2011-08-28T21:47:26","slug":"day-thirty-two-keyboard-works-part-three-cd-2-9","status":"publish","type":"post","link":"https:\/\/www.155dayswithbachandme.com\/?p=681","title":{"rendered":"Day Thirty Two: Keyboard Works, Part Three (CD 2-9)"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/Bach-Complete-Works-155-Box\/dp\/B000HRME5U\/ref=sr_1_2?s=music&amp;ie=UTF8&amp;qid=1311823878&amp;sr=1-2\"><img loading=\"lazy\" src=\"http:\/\/www.155dayswithbachandme.com\/img\/BachEdition2.9.jpg\" alt=\"Bach Edition 32\" width=\"200\" height=\"200\" align=\"right\" \/><\/a>Another CD of very old, miscellaneous Bach compositions (often of dubious origin), once again performed by <a href=\"http:\/\/www.bach-cantatas.com\/Bio\/Wuyts-Christiane.htm\">Christiane Wuyts<\/a>, a Belgium-born harpsichord known particularly for her performances of Bach&#8217;s music, as well as for her use of period instruments. The two harpsichords she&#8217;s playing on this CD were made by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Henri_Hemsch\">Henri Hemsch<\/a> (1754) and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Goermans\">Jacques Goermans<\/a> (1774).<\/p>\n<p>Bach must have had a robust sense of humor. Or maybe it&#8217;s harpsichordist Christiane Wuyts pulling a Glenn Gould. But one minute sixteen seconds into a very sleepy BWV 909 (&#8220;Concerto E Fuga in C minor&#8221;), Wuyts starts banging away on the keyboard with crashing chords and then intersperses the pounding with a flurry of notes starting at the 1:23 mark. It&#8217;s like Bach wanted to surprise listeners, given them something completely different. I loved it. In fact, I enjoyed the entire piece of music. There are lots of rapid-fire notes and quirky little passages in this composition. Sadly, one Bach <a href=\"http:\/\/www.jsbach.org\/bwv909.html\">web site<\/a> indicates BWV 909 is &#8220;Authenticity doubtful; not by J.S. Bach.&#8221; Figures. One of my favorite Bach pieces to date may not have been written by Bach.<\/p>\n<p>Many of the compositions on today&#8217;s CD interested me, mostly because of the speedy at which many of the passages were played. A harpsichord sounds terrific when its player&#8217;s fingers are a blur.<\/p>\n<p>Another interesting piece was <!--more-->BWV 832 (&#8220;Suite in A major&#8221;) right around the 5:33 mark. There&#8217;s that dampened\/muted sound again. I&#8217;d love to see how that&#8217;s performed. What is the player doing to achieve that sound?<\/p>\n<p>Another interesting piece is BWV 955 (&#8220;Fuge in B flat major&#8221;). It just has a nice, snappy, rich sound to it. Lots of very Baroque-sounding trills. Likewise for BWV 820 (&#8220;Overture Suite in F major&#8221;). It sounds so Baroque! Like someone picking music for a movie soundtrack &#8212; if the movie had some reference to the Bach or was a period film <em>about<\/em> Bach &#8212; should consider BWV 820. I think it&#8217;s the trills.<\/p>\n<p>The compositions on today&#8217;s CD are:<br \/>\nBWV 909 &#8212; authenticity doubtful<br \/>\nBWV 832 &#8212; unknown<br \/>\nBWV 989 &#8212; 1714 (Bach was 29)<br \/>\nBWV 821 &#8212; unknown<br \/>\nBWV 955 &#8212; unknown<br \/>\nBWV 820 &#8212; unknown<br \/>\nBWV 950 &#8212; 1711 (Bach was 26)<br \/>\nBWV 992 &#8212; 1703 (Bach was 18)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another CD of very old, miscellaneous Bach compositions (often of dubious origin), once again performed by Christiane Wuyts, a Belgium-born harpsichord known particularly for her performances of Bach&#8217;s music, as well as for her use of period instruments. The two harpsichords she&#8217;s playing on this CD were made by Henri Hemsch (1754) and Jacques Goermans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[368,367,366,357,371,370,369,363,361,359,358,364,362,360,365,354,355,356,339,340],"tags":[],"_links":{"self":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/681"}],"collection":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=681"}],"version-history":[{"count":10,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/681\/revisions"}],"predecessor-version":[{"id":695,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/681\/revisions\/695"}],"wp:attachment":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}