{"id":176,"date":"2011-08-04T10:01:05","date_gmt":"2011-08-04T14:01:05","guid":{"rendered":"http:\/\/www.155dayswithbachandme.com\/?p=176"},"modified":"2011-08-07T09:01:49","modified_gmt":"2011-08-07T13:01:49","slug":"day-eight-concertos-for-2-3-harpsichords-cd-1-8","status":"publish","type":"post","link":"https:\/\/www.155dayswithbachandme.com\/?p=176","title":{"rendered":"Day Eight: Concertos For 2 &#038; 3 Harpsichords (CD 1-8)"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/Bach-Complete-Works-155-Box\/dp\/B000HRME5U\/ref=sr_1_2?s=music&amp;ie=UTF8&amp;qid=1311823878&amp;sr=1-2\"><img loading=\"lazy\" src=\"http:\/\/www.155dayswithbachandme.com\/img\/BachEdition8.jpg\" alt=\"Bach Edition 8\" width=\"200\" height=\"200\" align=\"right\" \/><\/a>A couple of decades ago, a buddy of mine &#8212; who was into Country Rock (stuff like the Byrds, in their alt-Country <em>Sweetheart of the Rodeo<\/em> era, and various Country artists) &#8212; joked with me about an abhorrent instrument called the pedal steel guitar. I told him I really hated that sound. He said, &#8220;Then I know what I&#8217;ll get you for Christmas; an album called <em>Pedal Steel Greats<\/em>.&#8221;<\/p>\n<p>To my knowledge, such an album doesn&#8217;t exist. (Thank God!) And the joke was there&#8217;s nothing &#8220;great&#8221; about pedal steel. To me, that would be like listening to <em>Jack Hammer Greats<\/em>. Or <em>Fingernails On Chalkboard Greats<\/em>.<\/p>\n<p>So when I saw the title of today&#8217;s CD &#8212; <em>Concertos For 2 &amp; 3 Harpsichords<\/em> &#8212; I immediately thought of <em>Pedal Steel Greats<\/em>.<\/p>\n<p>It&#8217;s not that this music is played badly. On the contrary, the level of musicianship is remarkable. And it&#8217;s not that Bach screwed up creating music for an instrument that epitomizes the term &#8220;A little goes a long way.&#8221; It&#8217;s that, well, a little goes a long way. And after the first concerto, I&#8217;m tired. The Harpsichord, after five or six minutes, sounds like noise. It&#8217;s almost atonal to my ears. It&#8217;s fantastic for setting a mood (albeit a Renaissance\/Baroque mood). But once that mood is set, I&#8217;m<!--more--> eager to explore what else that particular mood has to offer.<\/p>\n<p>These compositions were performed by <a href=\"http:\/\/www.musica-amphion.nl\/\">Musica Amphion<\/a>, conducted by <a href=\"http:\/\/www.ibizweb.nl\/belder\/belder_en.htm\">Pieter-Jan Belder<\/a>, a gifted, award-winning musician with an already illustrious career.<\/p>\n<p>Accompanying Mr. Belder (after all, these are compositions for 2 and 3 harpsichords) are <a href=\"http:\/\/www.mennovandelft.com\/Menno_van_Delft\/Home.html\">Menno van Delft<\/a> and <a href=\"http:\/\/web.inter.nl.net\/users\/s.henstra\/\">Siebe Henstra<\/a>, two equally talented harpsichordists.<\/p>\n<p>This recording was made in 2006. So it sounds pristine, with warmth and depth.<\/p>\n<p>The first concerto (for two harpsichords and strings in C major, BWV 1061) is quite good. But I like Concerto for three harpsichords and strings in D minor (BWV 1063) better. It has a powerful, percussive sound that makes it stand out from other other, more mellow, concertos. (Yeah, three harpsichords; I know what you&#8217;re thinking&#8230;<em>Pedal Steel Greats<\/em> again. But it works. I like it. Go figure.)<\/p>\n<p>The compositions on this CD are:<br \/>\nBWV 1061 &#8211; 1735<br \/>\nBWV 1062 &#8211; 1735<br \/>\nBWV 1063 &#8211; 1735<br \/>\nBWV 1064 &#8211; 1735<br \/>\nBach was 50 when he composed all of the above.<\/p>\n<p>Makes me wonder what I&#8217;ve done with my life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of decades ago, a buddy of mine &#8212; who was into Country Rock (stuff like the Byrds, in their alt-Country Sweetheart of the Rodeo era, and various Country artists) &#8212; joked with me about an abhorrent instrument called the pedal steel guitar. I told him I really hated that sound. He said, &#8220;Then [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[73,102,103,104,58,105,120,101,107,8,106,9],"tags":[],"_links":{"self":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/176"}],"collection":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=176"}],"version-history":[{"count":10,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/176\/revisions"}],"predecessor-version":[{"id":223,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=\/wp\/v2\/posts\/176\/revisions\/223"}],"wp:attachment":[{"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.155dayswithbachandme.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}